Hi, what are you looking for?

CCP Encyclopedia of Philippine Art spotlights queer narratives

PETA brings a cultural phenomenon to the stage with ‘Ang Babae Sa Septic Tank 4: Oh Sh*t! It’s Live Sa Cheter!’

DTI champions Filipino creativity through Young Creatives Challenge Season 2

VLF XXI opens doors for aspiring writing fellows until April 30

CCP partners with University of Santo Tomas Senior High School to ‘revolutionize arts education in PH’

Björk opens major exhibition at The National Gallery of Iceland

‘Ruth Asawa: Retrospective’ to run until 13 September in Guggenheim Museum Bilbao, Spain

Georgia O’Keeffe Museum announces ‘Tewa Nangeh/Tewa Country’

Guggenheim Museum Bilbao showcases works of Maria Helena Vieira da Silva

SEX NOW exhibited at NRW-Forum Düsseldorf

Duran Duran releases remixes of ‘Free To Love’

Manila Symphony Orchestra Centennial Concert III – LIBERATION: 80 Years of Philippine Republic all set on July 4

Milan-based spinto soprano Christiana ‘Tinette’ Serafin de Ocampo is back in Manila

José Alfredo turns stigma into power with new pop anthem, ‘PERRO’

Toronto-based queer, BIPOC, East Asian rock artist Feura releases debut single, ‘Lose Your Head’

First episode of the Director’s Cut of ‘The Disappointments’ season one out now

Cinemalaya sails to bigger and better shores with new venue partners this October

37th Gawad Alternatibo ignites new narratives with Pasiklab

Chinese film ‘Dead to Rights’ tops global weekend box office

‘Salt Water’ to be released on June 24; explores identity, trauma and forbidden connection

How a CCP scholar dances beyond the spotlight

‘Mapanakit! Mga Dulang Bittersweet’ all set to open on July 25

Mari Dance’s ‘a dance in a day in a dance’ highlights CCP’s legacy in shaping contemporary Filipino dance

PETA brings a cultural phenomenon to the stage with ‘Ang Babae Sa Septic Tank 4: Oh Sh*t! It’s Live Sa Cheter!’

UPLB Communication Arts students stage ‘Misis: Ang Vavaihang Musical’

Bell-bottoms today, miniskirts tomorrow: Math reveals fashion’s 20-year cycle

How the baro transformed into the garment of Filipino identity

‘LOVE, MARINA’ celebrates love for Filipino fashion; book launch and fashion show set on March 3

Anok Yai honored as ‘Model of the Year’

Sephora expands partnership with Haus Labs by Lady Gaga

Canon launches EOS R6 Mark III camera and the RF45mm f/1.2 STM

Aputure strengthens footprint in PH film industry with launch of STORM Series and NOVA II

Insta360 introduces Flow 2, the next-generation, creator-friendly evolution of its beloved smartphone gimbal

Canon introduces two new video-centric cameras to meet new creative needs

Canon’s top of the line EOS R system camera is geared up to ace the action

Staging the overdramatic Pinoy via PETA’s ‘One More Chance: The Musical’

Co-opting the OFW story via ‘We Don’t Dance for Nothing’?

That shaky attempt to tackle abortion via ’12 Weeks’

Missed opportunities via the confused ‘Ang Mga Nawalang Pag-asa at Panlasa’

Discovering dialogue-driven storytelling via ‘The Dust in Your Place’
Fringe Magazine accepts contributions promoting everything at the fringes - from concerts to performances to exhibits to whatever. It's time for the otherness to be seen, so give us a yell at info@fringemag.net.
"If someone asked you about me, about what I do for a living, it's to 'weave words'," says Kiki Tan, who has been a writer "for as long as I care to remember." This one writes about... anything and everything.
Asked to describe himself, Mikee dela Cruz says that he is one who loves life - and this is, in many ways, his approach to everything he does, by making sure he at least tries things once (or twice, or thrice) before making up his mind about them. Best for us, he writes about these discoveries, so others can heed (or just ignore) what he found out for himself.
A graduate of Bachelor of Arts (Communication Studies) of the University of Newcastle in New South Wales, Australia (just don't ask when, he says), and Master of Development Communication from the University of the Philippines-Open University, Mick is a self-described all-around whatever. He can: photograph, do artworks with mixed media, write (of course), shoot flicks, community-organize, facilitate, lecture, research (with pioneering studies under his belt)... this one's a multi-tasker, who is even conversant in Filipino Sign Language. Cross his path is the dare (read: It won't be boring).
Fringe Magazine welcomes contributions from people who - like us - believe in celebrating life at the edges. After all, not everything mainstream is worth sh*t (err, excuse us); but a lot of those at the outskirts definitely deserve as much (if not even more) attention than those in the mainstream. So join us celebrate everything alternative - write that story and help us share it. Reach us at info@fringemag.net (we'll be waiting...).
A registered nurse, John Ryan (or call him "Rye") Mendoza hails from Cagayan de Oro City in Mindanao (where, no, it isn't always as "bloody", as the mainstream media claims it to be, he noted). He first moved to Metro Manila in 2010 (supposedly just to finish a health social science degree), but fell in love not necessarily with the (err, smoggy) place, but it's hustle and bustle. He now divides his time in Mindanao (where he still serves under-represented indigenous peoples), and elsewhere (Metro Manila included) for his advocacies. And, yes, he parties, too (see, activists need not be boring! - Ed).
